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Get the champers out as Best Of The Week returns after a short hiatus. Featured this week is this brilliant video of two guys playing a Slayer mash-up on kid’s instruments, Universal Works founder David Keyte gives a little insight into the brands AW15 collection, and although a little late on this video, Norse Projects shared this brilliant clip of hikers walking across a frozen lake; mind bending if not a little scary. A bonus this week to make up for the winter break is this dope video from Pepsi Max, entitled Chain Reaction.


January 8th, 2015

Kyle Stewart Sneaker Rotation

At the back end of 2014, Highsnobiety recruited none other than Goodhood co-founder Kyle Stewart to detail his sneaker rotation – six pairs that barely leave your feet. Classic silhouettes, limited editon’s and the unbeatable Yuketen Maine Guide Boots all feature. Read the article here.

Earlier this year, following the opening of our Curtain Road store, Goodhood Co Founder and Director Kyle Stewart talked to the Highsnobiety team. Focussing on the future of Goodhood and retail in general, they discussed everything from the growth of Menswear to London design.

What does the new store mean for current Goodhood and Life Store locations?
We’re closing them down – so we had Goodhood on one side and Life Store on the other – they’re both closed and we’re going to have our office in what was Goodhood. We’re open officially on September 10 – in terms of the store, its gonna be a massive step up for us – it’s a lot bigger and it’s gonna have a cafe in it, we’re going to be doing food. It’s quite exciting in that aspect, being able to communicate with our customers on a different level. We’re dead excited about it.

Are you guys going to be expanding your brand range?
Yeah, we’ve expanded it quite a bit, not so much on menswear but on women’s quite substantially and also on the Life Store area – we’re adding in stuff like cosmetics and books as well.

So more of a lifestyle store?
Yes, exactly that.

How do you guys manage to stock such a broad range of product at such different price points – for example you currently have Junya Watanabe sitting alongside Dickies?
That’s just what we do, you know? I guess we kind of look at it as more of a consumer, rather than a sort of “level” in fashion. I think a lot of people categorize shops like, this is entry point designer, this is luxury designer, this is street – we just look at our consumer, who we know inside out. It can be luxury or £2 – for us we don’t have a problem selling Junya alongside Dickies – it works for our customer because they’re buying them for different reasons, you know?

Is there a defining characteristic of what makes a Goodhood product?
We’re looking for something that has got a connection to culture, something that communicates about the legacy of clothing. We don’t like to talk about fashion, we always talk about clothing, which we see as fundamentally different. So things that are really good quality, for instance, things that are progressive in their design and fabrication but also retrospective in their knowledge about clothing. It takes a lot of knowledge to make the perfect jacket and so we’re looking for brands that understand about things like stitch tension and fabrication and use that information to make product. I mean we just look for something that’s cool as fuck. That’s a five word answer for you!

Compared to your peers, you guys buy from pretty far afield, what is it about places like Asia and Scandinavia that makes for such exciting product?
Obviously Asia, Japan in particular, are the best at making stuff – they’ve got this knowledge and eye for being able to design clothes. Then the Scandinavian brands, Denmark and Sweden in particular, have got a really good legacy of design. I think for us, those two places understand the commerciality of the business. They make amazing things that a normal person can still wear. That’s really important to us.

What does the UK have to offer in terms of men’s fashion, compared to these places?
I don’t want to beat down on the British industry, it’s got a heritage of product, it’s got a distant manufacturing base that was incredible – Scottish knitwear, Macs, things like that. But I think that’s all I can say really. To be honest, I find the British industry a little mixed up. There’s tradition, there’s brands like Burberry, Barbour and Mackintosh, but at another level the media is obsessed with luxury fashion talent coming out of design schools and I don’t think they necessarily go together in a good way.

There’s a bit of a lack to be daring in the UK – whereas at the SS15 trade shows it seemed like all of the Scandinavian brands just didn’t care what menswear should and shouldn’t look like, they had the most exciting product out of everyone we saw.
Those guys, the thing about them is they’re a similar age, and they’re all coming out of the same place and are doing a similar thing and it’s a bit of a movement. It’s really quite astonishing and amazing, they’re very supportive of each other – regardless of whether they’re super tight or not, they help each other out. If you think about Copenhagen, it’s a tiny city that’s got Norse Projects, Wood Wood and Soulland – it’s quite astonishing. While they can definitely throw caution to the wind and not care perhaps what menswear should and should not be, they’ve still got a really good handle on what men actually want to wear.

Theres so much product from around the world if theres not something right on your doorstep then its not hard to find.
Yeah, but it’s disappointing – obviously we want to find a brand like Soulland or Norse Projects or Our Legacy here. To be honest, we’ll just end up doing it ourselves, that’s the plan.

It’s disappointing to see your own country fall flat though.
Yeah, but I also think because it’s got such a reputation in luxury fashion, its almost like a hindrance as well because it encourages people to think that it’s what British fashion has got to be.

London retail has changed dramatically in the past few years – how have you survived where others have failed?
We’ve really focused on who our customer is. For instance, we’re based in the East End of London. I live in the East End, people that we employ live in the East End. We live like our customer and have focused on that. I’ve seen a lot of shops pop up and go and it’s sad, but sometimes I don’t know if there’s a market for them – it’s a business at the end of the day and there’s got to be people wanting to buy your stuff. We’ve been here for seven years and we grew it from nothing – it was literally nothing at the start – and that’s given us time to make mistakes, learn from them and learn who our customer is and what will work for us.

It must help that there’s tons of content on the site – you could spend a long time there without even looking at any product.
Myself and my partner come from design backgrounds – we both started as designers working for Levi’s and Nike and Moschino – so when it comes to our buying, we’re always buying stuff for a reason. When it comes to getting the product in the store, there’s always a reason we bought it, so it makes sense for us to communicate that through the website. We tell the people on our website the reason we thought something was amazing and it’s not just batting for numbers, it’s buying to educate people and ourselves at the same time.

With so many independents struggling or closing down, how do you think independent retail is going to look in the future?
I guess to survive as an independent you’ve got to run a good business to start with – but on top of that you need to focus on what you do and do it well. Because online is radically changing retail there’s so much money getting plowed into massive e-commerce sites, and what is important to us as a small operation is for us and our suppliers to have an understanding that we support each other and to continue to specialise in our area and not to give in to the bigger retailers.

Given that you’re somewhat of a specialist retailer, do you have room for trends in your business?
Obviously we feature them, but they’re not that important to us – we change quite slowly and we’re the antithesis to the seasonal trend chat that you get from the media or what have you. I mean you’ve got to move with the times and we’ll always update our product selection but at the same time, particularly from a menswear point of view, something that we sold five years ago is still as relevant as it is now – we’re always gonna be wearing the same kind of stuff. Its nice to see new things and I guess because we’re designers you always see new ideas.

Especially with menswear, it’s sometimes just the cut and shape that change – you can see you guys are styling Dickies work pants a lot at the moment, so the chino is going from really slim and rolled up to a bit wider and looser.
Yeah, you’re bang on there, I mean we’ve kind of moved with that and it just feels right for us. I guess we’re not sure how many other people are doing this looser-fit Dickies work pant, but we’re completely behind it here. We’re at the level that when we get behind stuff and it feels right, we’ll start to get other people into it as well. We have our own opinion of a trend. For instance, a trend that we’ll never do is the sort of sportswear graphic black streetwear kind of look, that’s not us, so we’re not gonna jump on that.

You see that more subtly – right now there might be a bit more black in the lookbooks but it’s not like, here’s a really long oversized tee with a huge number on the back or anything.
It goes to just an intuitive understanding of what we’re doing – bigger retailers that don’t have the knowledge or the intuitive feel that have will jump straight into trends and it’s not credible, whereas we’re always trying to come from a credible position.

Read the interview on Highsnobiety

A huge thank you to all who voted for us for Best Retail Concept in the Highsnobiety Crowns Awards 2014. We are extremely excited to announce that we won Bronze, and it’s all thanks to you guys!

Here’s what Highsnobiety had to say about us:

“With physical retail locked in a fight to the death with the world of e-commerce, never before has there been more need for brick-and-mortar stores to offer a complete shopping experience. Having at least partially grasped that with their existing clothing and homeware outlets, 2014 was the year Goodhood finally realised their dream of a comprehensive lifestyle destination that caters for the complex needs of the modern customer.

Find Out More on Highsnobiety

With its own dedicated cafe serving artisanal coffee and hot food in one corner, the new Goodhood Store is somewhere where the people of East London can come both to explore an eclectic range of well-made products (with brands and prices from across the board), or to simply soak up the ambience of an impeccably decorated living environment. We’d say it’s the kind of space no website can compete with, but one look at their stellar online presence and its clear they’ve got that base covered too. That’s how the pros do it in 2014.”

An eagerly awaited arrival for us this week is a brand new book published by Ditto Press, documenting previously unseen material and looking at various sub-sections of one of the world’s most radical and controversial subcultures; skinheads. With the design handled by the inimitable Jamie Reid, the book explores the culture through zines, printed material, posters and films and encloses a variety of printing techniques and a custom typeface developed specifically for the book. We expect delivery of Skinhead: An Archive at some point this week and we can’t wait.


December 14th, 2014

Vote for Goodhood!

As the end of 2014 gets ever nearer, Highsnobiety are asking everyone ‘what is the best retail concept store of the year’? Yours truly are in the hat along with some stiff competition from all over the world. Head over to Highsnobiety HERE and give Goodhood a vote! Voting ends at 8am GMT Tuesday 16th December 2014, so get in there quick!

Gasius’ latest batch of products get the visual treatment with Sara Sani on photography duties. Featuring gasius’ signature reference points and graphic illustrations, the collection is available to buy here, including a few bits that are fully exclusive to Goodhoooooood of course.

Shop Gasius 
– Shop Latest Men’s
Sara Sani 


A decent variety of bits for you this week; Nowness spend a beautifully shot afternoon with Linda Rodin (shop Rodin here), James Blake’s new 200 Press EP is available to stream (Building It Still is incredible), and Nigo & Tetsu Nishiyama debut the first products from their eagerly awaited new venture; Doubtful as Double.